PRE-ORDERS ARE LIVE

YOU. CAN ORDER. THE BOOK. IT’S THERE. IT’S HAPPENING. HOORAAAAY.

The closer we get to the launch date, the less coherent I become, so maybe it’s best to stick to some structured question-and-answer.

WHAT SHOULD I ORDER?

This book right here, A DAZZLE OF ZEBRAS, by that silly woman over there, CARRIE MULLER.

WHEN SHOULD I ORDER IT?

Right now! Immediately! BEFORE IT’S TOO LATE!

The official release is October 18th, 2022, but the sooner you order it, the sooner you get to read it (and smugly judge my writing abilities from the comfort of your very own home/toilet/morning commute). Now, doesn’t that make you want to rush right out and order a copy?

WHERE SHOULD I ORDER IT?

  1. Head over to your local bookstore and/or library and ask them for A Dazzle of Zebras by Madam Carrie Muller. Tell them it’s available on Ingram. They’ll know what that means. (If they don’t, just make uncomfortable eye contact for 5-10 seconds before running out of the store.)

  2. It is also available on Amazon and Barnes & Noble, if you prefer (although that whole local bookstore thing…pret-ty fun!).

  3. Money should never be a barrier for anyone who wants to read a book. To that end, libraries are getting another mention here because I can’t overstate how amazing it is to be able to walk into a building and walk out with a stack of FREE BOOKS. In any other situation, this would be called THIEVERY.

  4. Or, if you want to try your luck, there will be occasional GIVEAWAYS. Sign up for the newsletter below to keep updated.

  5. Alternatively, if you NEED to have a copy in your hands ON release day, the ebook version is only $2.99, which is probably about what you could scrounge up from the cupholders of your car. (Assuming you have a car. If you don’t, good for you! With the amount you’re saving on gas and insurance, why not reward yourself with an ebook for $2.99?)

WHOM SHOULD I ORDER IT FOR?

Anyone. Everyone. I think your great-aunt would like a copy. Probably your dog, too. Maybe send one to your dentist so they can keep it in their waiting room.

WHY SHOULD I ORDER IT?

Oh. Hm. Well…that’s a toughie.

But you know, I genuinely think you will enjoy it. That is difficult for me to say because self-deprecation is my native language, but that’s also sort of the whole point of the book: vulnerability is hard. And believing anything nice about yourself might be the hardest thing of all.

Order this book because it’s about friendship and first love and the difficulty of being a person. Order it because it looks at anxiety with compassion and grace. Order it because it will make you laugh. I promise.


And if you do order it, whether it’s a pre-order or whether you pick it up in your dentist’s waiting room six months from now, please know how much I appreciate you. I know I say this all the time, but it’s still true:

You’re the best.

Thank you.

Danke schön

I’m sort of coming up on the end of Things I Need to Write before the release of YA friendship-rom-com (platoni-com?) A Dazzle of Zebras. I have my novel…my title…my back cover description…my dedication…all that’s left, really, are the acknowledgments.

But how—HOW?—does a person even begin to mention everyone who’s contributed to writing a book? Writers have to prioritize their direct contributors, I guess, otherwise this section would be longer than the book itself and you’d get acknowledgments like, “Thank you to the girl in the ladies’ room in Terminal C at the Dallas-Fort Worth Airport whose loud phone conversation inspired several funny exchanges in the third chapter.” Or something like, “Big shout-out to all my ancestors whose biological imperatives ultimately resulted in my birth. I owe ya one, guys.”

Then again, I would enjoy seeing an author who goes completely the other way and just says, “Um, how about thank you to ME, the person who put in all the sweat, blood, and tears—mostly tears—almost entirely tears—so much crying—in fact, at one point I became severely dehydrated—spent three days in the hospital—cost me a fortune in medical bills—to write this book in the first place? And NO thanks to all the haters who laughed at me because I spelled ‘tomorrow’ wrong in the second-grade spelling bee. Look at me now, suckas!”

In the end, however, one ought perhaps to play it safe and just thank everything. The universe, as a great and terrible whole, has created me, and I have created this book (though whether the book merits that sort of thanks remains to be seen). So thank you, everything. For everything.

You’re the best.

Blurb

I took a break from edits to write out a book description for the back cover. As if that would be a nice, quick, simple task to bolster and re-motivate me.

It’s just 150 words about a book that’s already written, I thought. That’s like a second-grade book report. Easy-peasy.

But it was not easy-peasy. It was in fact difficult-pifficult.

[Ed: I’m a little worried that these posts make it seem like I’m not enjoying the process of publishing this book. In some ways, that’s true! Like anything else, this is work! But it’s satisfying work. I like the feeling of giving my brain a workout every day. I like piecing words together like a puzzle until everything fits just right. It does drive me crazy, but in a way that compels me to keep going. It’s a sickness! But I’m a jolly little invalid.]

If writing a book is like carving away marble until you reach the shape of a human figure that’s lurking inside it, then writing a book blurb is like taking that sculpture’s thumb and carving another miniature figure out of it, but the smaller figure is doing KARATE MOVES! and TAMING A LION! and UNICYCLING ON A TIGHTROPE! This little guy has all the responsibility of catching people’s interest so they will spend some time and money to look at the bigger sculpture.

…That metaphor left something to be desired.

Maybe it’s more like cooking a gourmet meal. You have all these elements that go into it, and you work and experiment and adjust the components to get them all complementary and balanced just right so they make a harmonious whole, a taste that’s richer and more satisfying than the sum of its parts. This is a meal that means something—this is art! But then, to get people invested enough to take a bite, you have to first take that meal and boil it down (so to speak) into a single bite that hints at the complexity of the entire meal, but doesn’t entirely give away the best bits. A blurb is an amuse-bouche, if you will. (Will you? Is this metaphor working?)

It takes skill to write an effective blurb. You can’t lie, or the reader will be confused and annoyed, but you can strategically focus on the most intriguing elements of your story, like so:

  1. First you have to find a HOOK. (If you’re writing a book about pirates, you’re already halfway there.) Maybe that’s a punchy, intriguing concept. Or, if you have them, you could lead with accolades like, FROM THE NEW YORK TIMES BESTSELLING AUTHOR G.D. FERNHAVEN COMES A PSYCHOLOGICAL THRILLER THAT WILL “LITERALLY MAKE YOU SCREAM UNTIL YOUR THROAT FALLS OUT. THIS BOOK COST ME THOUSANDS IN MEDICAL BILLS.”

  2. Then you backtrack. The reader’s like, SAY WHAT? THAT FIRST SENTENCE HAS MY INTEREST PIQUED! This is where you reel ‘em in. You set up a SCENE. This is the NORMAL WORLD. We find out who the main character is (briefly) and what they WANT. We learn in a pithy sentence or two why we should CONNECT WITH and ROOT FOR this total stranger.

  3. But of course, it isn’t a story unless something HAPPENS. There are OBSTACLES to whatever it is the character wants. UH-OH, we say. WHAT’S THE CHARACTER GONNA DO?

  4. WELL, THE BLURB’S NOT GONNA TELL. It leaves us on a cliffhanger, echoing our question and setting the stakes: WILL CORNELIUS FIND OUT THE TRUTH…BEFORE IT’S TOO LATE? CAN EUGENIA UNLOCK THE SECRET…BEFORE IT’S TOO LATE? DOES SHERYL HAVE A CHANCE IN HELL OF DOING WHATEVER SHE NEEDS TO DO…BEFORE WHATEVER CLOCK THAT’S TICKING DOWN RUNS OUT AND A HORRIBLE CONSEQUENCE BEFALLS HER AND/OR OTHERS?

It can get extra tough, however, when you have a story where the changes happen (mostly) internally. How do you make a plot sound exciting when the obstacle is, This character wants to have an okay time, but instead she’s having a bummer of a time! Like, what are the stakes? If she doesn’t figure something out, then…I mean, things will keep on being a bummer! Which sucks, right? Is that…are you interested? In hearing more? About that? Please?

It took a few weeks and lots of reluctantly critical feedback from friends and family, but I think I’ve finally got a passable description. “I’d read that book,” someone said (I assume with a shrug), and that’s all I can ask for.

Now I just have to finish all my other publishing tasks and get this bad boy out there…BEFORE IT’S TOO LATE.